Pickwick

Seattle indie rock!

Pickwick

Smokey Brights

Thu, May 17

Doors: 8:00 pm / Show: 9:00 pm

Doug Fir Lounge

Portland, OR

$15.00 - $18.00

This event is 21 and over

Pickwick
Pickwick
Listen to LoveJoys, the sophomore release from Seattle, WA’s Pickwick, and you’ll hear a band that has pushed aside external pressures and expectations, overcome internal demons, and plugged directly into their own creative center. Slinky, sinewy, and articulate, the record pulses with a palpable confidence. Hypnotically intricate, just-right sonic ornamentation shimmers around a thick, undulating bed of propulsive rhythm. Submit willfully, give yourself over to Pickwick’s practiced ministrations, and you’ll find yourself exhausted and deeply satisfied, slick with a sheen of glitter and sweat.
Following the breakout success of 2013’s self-released Can’t Talk Medicine (which WXPN lauded for its “wonderfully engaging lo-fi rock and soul”) the band found themselves on national tours with Neko Case and Black Joe Lewis, performing on the main stage of the Sasquatch Music Festival, headlining the Capitol Hill Block Party, and performing alongside with the Seattle Symphony. They holed up to begin work on what was to be the follow up release, and things got complicated.
As the band was forty songs into writing a pop R&B record, they became deeply unsatisfied with the direction the music was taking. Tensions boiled over, and they lost a member in 2016. Walking away from a mountain of music, the group was able to tap into the joy of writing for themselves. “We rediscovered what we do best by not overthinking what we make, and learned to love the process of creating again” relates vocalist Galen Disston. “LoveJoys is a specific type of euphoria,” says drummer Alex Westcoat “a liberating feeling of inspiration that can only be achieved through the sacrifice of one's own ambition. It is the shedding of expectations; an uninhibited escape into a world of child-like infatuation and wonder.”
After an intense three month writing session the band – Disston, Westcoat, guitarist Michael Parker, bassist Garrett Parker, and keyboardist Cassady Lillstrom - turned to producer Erik Blood (Shabazz Palaces, Tacocat and Moondoggies) for guidance in putting the music to tape. “We are huge fans of his, and a mutual friend made the introduction” says Disston. “Erik requested we go out to drinks together every couple weeks for a four month period; he wanted to get to know us before we got too deep into working together. The first time he came to a practice I kept my back to him the whole time because I was intimidated, and after we'd played him all our demos, he picked them apart and pushed us into a new and better sound.”
LoveJoys was recorded at "Chemical X" and "Black Space" (February - May 2016), Blood’s studios in the basement of the old Rainier Brewery building in Seattle. It features performances from: Tendai Maraire (Shabazz Palaces), Sean T. Lane, Marquetta Miller (Breaks and Swells), Taryn Rene Dorsey, and the Black Space’s in-house horns and strings - Alina To (Passenger String Quartet) and Jeremy Shaskus (Breaks and Swells).
Written in the midst of personal and political turmoil, lyrically and sonically LoveJoys became an escape somehow, a place for the band to purge all their deepest concerns while somehow also being relieved of them. LoveJoys embodies the relationship between inspired creativity and the use of escapism as a way of getting there. Like little fossilized explorations of his own greatest fears and anxieties, Disston’s lyrics bury themselves into the band's bright new sonic landscape, both contradicting their collective fantasy and reminding them of why they chose to construct it in the first place. “This record is an escape toward love and joy in the face of uncertainty” says Westcoat. It's a sonic sanctuary built from unrestrained creativity, and a potent tonic; undiluted joyful creativity, guaranteed to transport the listener to a place of ecstatic release.
Smokey Brights
Smokey Brights
Smokey Brights make music that taps into history and stretches out a kind of visionary rock that rolls relentlessly forward while recombining iconic sounds - from funk to Fleetwood Mac, Bowie to Blur, disco to Dire Straits, and splashes of Floyd psychedelia - crafting something urgent, fun, and utterly surprising. The band’s driving rhythms, lusciously tight harmonies, and swirling guitar lines lay down a sumptuous, expansive 70s landscape that invites the listener to lay back, turn up, and dive deep into the depths of inner space.

Smokey Brights are fronted by husband and wife songwriting duo Ryan Devlin (guitar, vocals) and Kim West (keys, vocals). Their North Seattle home, crammed full of thrift shop treasures and instruments, is a constant bustle of songwriting, demos, BBQs, and band practice. Song ideas are shared over coffee, sketched into notebooks strewn throughout their home, and flushed out on guitar, piano, and voice before making their way downstairs to the band’s wood-paneled practice room.

Smokey Brights’ rhythmic bedrock is laid down by the mind-melding duo of Jim Vermillion (bass) and Nick Krivchenia (drums). Best friends and brothers in rhythm for over ten years, their sonic connection is the palpable pulse that runs through the signature, Smokeys sound.

Floating deftly above this rock foundation are the unpredictable and experimental lines of guitar hero Mike Kalnoky (guitar). Pulling from a seemingly endless bag of six-string tricks, Kalnoky brings a level of experimentation to the world of Smokey Brights that makes the music both deeper and stranger, but never at the expense of song integrity.

In the six years Smokey Brights have played together, they've come to focus on the familiar and the bizarre - the spaces where the light just starts to shine through the darkness. Their music evokes that feeling of discovering a dusty record in your parents’ attic that somehow sounds new, made just for the moment you are in. Delighting in the experimentation of groove and sound, but always building upon a sturdy framework of song, Smokey Brights creates what, at times, seems lost in modern music: real songs with real meanings that elicit real feelings.