Slightly Stoopid - School's Out for Summer 2018

Slightly Stoopid - School's Out for Summer 2018

Stick Figure, Pepper

Sat, June 9

Doors: 4:30 pm / Show: 5:30 pm

Les Schwab Amphitheater

Bend, OR

$38.00 - $125.00

This event is all ages


Slightly Stoopid
Slightly Stoopid
Slightly Stoopid, the Ocean Beach, California based group led by co-founders and multi-instrumentalists Kyle McDonald and Miles Doughty, along with drummer Ryan "Rymo" Moran; percussionist Oguer "OG" Ocon; saxophonist Daniel "Dela" Delacruz; keyboardist Paul Wolstencroft; trumpet and trombone player Andy Geib; plus special guest and "unofficial 8th member" Karl Denson (The Rolling Stones/Greyboy Allstars) on saxophone unveiled their latest musical experiment Meanwhile… Back at the Lab through the band's own Stoopid Records on June 30th.

The sessions for Meanwhile… Back at the Lab began in late 2013, shortly following the band's seventh studio release Top Of The World. The forthcoming album was recorded at the band's studio, as well as at Platinum Sound, NYC; Rivas Studios, L.A.; Mixdown Town LBC, Long Beach, CA; and was self-produced by the band along with The Lab's in-house audio engineering maestro James Wisner with the help of Jerry Wonda (The Fugees, Wyclef Jean) engineered an impromptu late night/early morning session at Platinum Sound, yielding the collaborative "Come Around." Back home, Kyle and Miles also called on their long-time friends and Southern California music icons, Michael "Miguel" Happoldt and Marshall "Ras MG" Goodman, to produce standout tracks "Life Rolls On" and "The Prophet."

"We're a touring act, and we've been on the road pretty much non-stop over the last decade," explains Doughty, offering that the band's own local recording studio and rehearsal clubhouse "The Lab at Stoopid Studios" (within the warehouse district of Mission Valley just inland of Ocean Beach), is a key ingredient of what keeps the band's sound fresh. In fact, the title and album cover reference the band's collective escape from touring where they have been working on numerous creative and collaborative projects.

"Over the last several years we started our own studio and invested into innovations and equipment, upgrades in a quest to capture and progress our ideal signature sound. Having our own studio really enables us to make records at our own pace and to make the right records, hopefully (with a grin) at various stages of our career," Doughty continues. "What's nice about having our own environment to record in, and analyze the music, is it really lets us keep an organic feel. For Slightly Stoopid, I feel like it's a step into the next level, as far as understanding the process of recording, understanding the process of songwriting. We took everything that we've learned over the years and really put it into this place and into our music." The property also houses the creative loft space that has become the official offices Stoopid Records, which issued the band's third album in 2000, Acoustic Roots, and has continued to be their preferred method of distributing the band's recorded material.

"We started Stoopid Records around 1999," Doughty clarifies. "At that time, we were in transition as far as what we were doing with our records, and we thought it would be good to have our own independent label—like Sublime showed us back in the day with Skunk Records. What's nice is we've had a following with the fans, where people understand that Stoopid Records is Slightly Stoopid, as well as other bands we want to help break out."

"For us, it was a big turning point as far as having complete creative control over everything we do. That's something big for this band—we want to make the music for ourselves and for our fans. We don't really make music for someone in an office that tells us something needs to be there. We've always had a very organic, do-it-yourself attitude. I think it's paid off in dividends."

Nearly two decades into their artistry, Slightly Stoopid continues to progress into new musical territory, defining their signature sound while creating a contagious feel-good vibe that has its own lifestyle and subculture… and it's been done entirely on their own terms.
Stick Figure
Stick Figure
From the musical imagination of Scott Woodruff emerges a vibrant sonic soundscape, revealed in the newest Stick Figure release, Set in Stone. As with his previous releases, Set in Stonewas written, produced and recorded by Woodruff, a self‐taught musician. An intuitive and accomplished producer, Woodruff crafts authentic artistry from the foundation of roots‐dub reggae. Cavernous grooves, sparkling electronic orchestration and thick rhythms; songs and sounds that have incubated in a studio cabin in the woods near Santa Cruz, CA, where Woodruff found solace excavating a foundation and constructing a studio, all in preparation for his most ambitious recording to date. When completed, a brotherhood of hard‐jamming musicians delivers this widescreen soundtrack in concert performances of consciousness‐altering emancipation. With Woodruff as the genial on‐stage figurehead, Stick Figure concerts are gatherings distinguished by extended improvisational interludes, the mind‐manifesting hues of a light show, and the much‐anticipated entrance of the band’s canine mascot, a rescued Australian Shepherd, Cocoa The Tour Dog. The release ofSet in Stone is a culmination of a journey that has seen the producer go from a mysterious figure to becoming a major player in the scene, virtually inventing a melodic subgenre, at a time reggae is reaching new heights of popularity.
Formed 1997 in Kailua-Kona, Hawaii.
Bret Bollinger: Vocals, Bass;
Kaleo Wassman: Vocals, Guitar;
Yesod Williams: Drums.