The Decemberists

Monqui Presents

The Decemberists

M. Ward

Sat, June 23

Doors: 5:00 pm / Show: 6:30 pm

McMenamins Edgefield

Troutdale, OR

$45.00

Sold Out

The Decemberists
The Decemberists
WHAT A TERRIBLE WORLD, WHAT A BEAUTIFUL WORLD
CAPITOL
“In some ways, this album was four years in the making,” says Colin Meloy,
frontman and primary songwriter of the Decemberists. “We were on hiatus, so we
had all the time we could want, no schedule or tour, no expectations.”
With the ability to work at their own pace, the resulting record, What a Terrible
World, What a Beautiful World, is the band’s most varied and dynamic work, both
musically and emotionally. Since their earliest recordings more than a decade
ago, the Decemberists have always been known for their sense of scope and
daring—from “The Tain,” an eighteen-and-a-half minute 2004 single based on an
Irish myth to their last two ambitious, thematic albums, The Hazards of Love and
The King is Dead. This time, though, Meloy explains that they took a different
approach: “Let’s make sure the songs are good, and eventually the record will
present itself.”
The Decemberists—Meloy, Chris Funk (guitars), Jenny Conlee (keyboards),
Nate Query (bass), and John Moen (drums)—had announced that they would be
taking a break when their touring cycle finished following the release of 2011’s
The King is Dead. Meloy wanted to spend time with his family and work on the
children’s book series that became the acclaimed, best-selling Wildwood trilogy.
To be sure, they had reached a new peak in their career: King entered the
Billboard album charts at Number One, and the track “Down by the Water” was
nominated for a Grammy in the “Best Rock Song” category.
Even during the hiatus, the group remained visible: they released an EP of
outtakes from the album titled Long Live the King; contributed the song “One
Engine” to the Hunger Games soundtrack; and put out We All Raise Our Voices
to the Air, a live album documenting their ferocious intensity on stage. They even
had the honor of appearing in animated form on The Simpsons, and performed
on the season six finale of Parks and Recreation.
Mostly, however, Meloy was concentrating on the Wildwood series—the 1,500-
page saga of two seventh-graders who are drawn into a hidden, magical forest,
illustrated by his wife, Carson Ellis. So when the band reassembled in May 2013,
the plan wasn’t to make an album in their usual way.
“Typically we book four or five weeks in the studio and bang out the whole
record,” says Meloy. “This time, we started by just booking three days, and didn’t
know what we would record. There was no direction or focus; we wanted to just
see what would come out. We recorded ‘Lake Song’ on the first day, live, and
then two more songs in those three days. And the spirit of that session informed
everything that came after.”
They reconvened in the fall and added some more songs. Gradually, over the
course of a year and a half, the album came into focus. What was initially
apparent was a fuller, richer sound. “There was a grandiosity to the songs in
different ways,” says Meloy, citing Leonard Cohen’s 1977 collaboration with Phil
Spector, Death of a Ladies’ Man, as a reference point. “We were layering
textures, adding strings and dedicated backing vocals—the early songs created
the peaks of the record, and that started to dictate the overall tone and tenor.”
The first batch of songs, Meloy notes, represented the more personal side of his
songwriting, a change from the strong narrative thrust that characterized much of
the Decemberists’ work. “Writing books as this raw, fantastic narrator has been
the outlet for that part of my brain,” he says. “Having a family, having kids, having
this career, getting older—all of these things have made me look more inward.
So some of these songs are among the more intimately personal songs I’ve ever
written.”
Perhaps most notable is “12-17-12,” a song named for, and inspired by, the date
that President Obama addressed the nation following the Newtown school
shootings, and read the names of the victims. “I watched that speech and was
profoundly moved,” says Meloy. “I was hit by a sense of helplessness, but also
the message of ‘Hold your family close,’ and this was my way of marking that for
myself.” This bewildering, conflicted feeling came out in a phrase near the end of
the song—“what a terrible world, what a beautiful world”—that gave the album its
title.
As the sessions continued, other elements of the writing and the sound surfaced
and a more rounded picture emerged. “As soon as I finished the books, I
immediately started writing more narrative songs,” Meloy says. “‘Cavalry
Captain,’ ‘Carolina Low,’ those all started coming out. But there was a more
subtle voice coming in; I wanted moments of levity, a little tongue-in-cheek. Also,
we figured out that the big, pop sound we were making would also make the
quieter moments more still, create more dynamic peaks and valleys.”
Without a deadline, the Decemberists were also able to explore every song to
completion. “Usually you have to let some songs slide because of time
constraints,” Meloy says, “but nothing was relegated to the b-side pile, everything
was given a fair shake. Which is a blessing and a curse—we ended up with 18
songs, and each had champions and detractors. There were a multitude of
albums you could potentially make—somber, over-the-top pop, folk—and I think
every band member would have created a different record.”
Ultimately, What a Terrible World, What a Beautiful World found its final form, a
distillation of the best things about this remarkable band. A new way of working
led to a renewed excitement about the next chapter for the Decemberists. “I’ve
never lived with a record for so long,” says Colin Meloy, “documenting my shifts
and changes as a songwriter, with a real sense of time passing. And there’s
something very freeing about working on music with absolutely no agenda, and
just letting the songs become themselves.”
M. Ward
M. Ward
M. Ward is a Portland, Oregon based songwriter (born October 4, 1973) influenced by various American musical traditions such as folk, country, blues and rock. He is also in the group She & Him alongside Zooey Deschanel.