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Jerry Joseph and The Jackmormons

Top off 2017 with the Jackmormons!

Jerry Joseph and The Jackmormons

Casey Neill & The Norway Rats

Sun, December 31

Doors: 8:00 pm / Show: 9:00 pm

Doug Fir Lounge

Portland, OR

$20.00 - $25.00

This event is 21 and over

A 2-NITE PASS is also available, good for entry on December 30 & 31.

Jerry Joseph and The Jackmormons
Jerry Joseph and The Jackmormons
Jerry Joseph releases Weird Blood on Cavity Search Records on November 17, 2017. Weird Blood is his third album released in as many years with his band the Jackmormons, Steve Drizos on drums and Steven James Wright on bass, and produced by Dave Schools (J Mascis and the Fog, Hard Working Americans, Stockholm Syndrome).

In 2015, Joseph and the Jackmormons went into TRI Studios with Dave Schools and walked out with 20 songs. Those songs became the albums Istanbul/Fog Of War (10/2015) and By The Time Your Rocket Gets to Mars (4/2016). The plan was to release a third album, an EP, with the remaining three finished songs supplemented by couple of new songs that Joseph would write. The plan went sideways.

“I rented a tiny house about a mile from my home so I could write but be home for dinner and kid bedtime. I ended up writing a fistful of songs. It was cold early January but a perfect place to write. Weird stuff was happening in general, one of those weeks where I had my copy of Black Star and David Bowie died,” Joseph recalls. “I tend to do the mad scribble thing when I write.”

When after a week of writing, Joseph arrived at Jackpot Studios, Schools was adamant they record all the new songs. They also recorded a couple written in Scotland, “Sweet Baba Jay” and “Late Heavy Bombardment” and a few that they’ve been performing, but had never recorded. “The past few years we’ve been trying to figure out album slots for some of the hundred originals that are part of our live repertoire but have never been recorded, like ‘Wild Wild West’ which has been around since the late 90s,” remarks Joseph. The “tiny house” songs became the core of Weird Blood.

“When I write in a flurry like that, it’s hard to see a thread. It feels more like a purge than a considered attempt at art but in the end I seem to get to stuff that I can’t get to when I’m thinking too hard. So here is the ‘recorded during a massive snow storm at Jackpot Studios’ record. ‘There was a lot of blood, it was pretty weird,’ I don’t even know where that came from, scribbled on something, and turned into a uncomfortable song.”The prolific writer has released more than 30 records and has a catalog of over 250 original songs and counting. Joseph has always stayed busy on the road, not only touring the US but also far-flung, under-explored locales. In the past couple years he has traveled to war-torn regions to bring supplies and teach and share music. In 2015 he brought instruments and volunteered as a music instructor at an underground co-ed rock school in Kabul, Afghanistan. This Spring, he brought guitars and supplies and taught and performed for the residents of a permanent refugee camp in the Kurdistan Region of Iraq.

“For me, it was pretty profound. There were these teenage girls learning to play, Syrian Kurds. I wonder sometimes about the power or magic of music, but we certainly attach a lot to it. I think that there are these moments that I’ve found where music does make a difference. Showing these kids how to play a few guitar chords or teaching them ‘Three Little Birds’ by Bob Marley and teaching them about empowerment. It doesn’t matter if it’s clay or dance shoes, no one can take it away from you. They can take the guitar or the paint, but they can’t take your creative thinking. A lot of these kids and adults feel isolated and alone, and you go, ‘Here hand them a guitar and a social media account], You’re not alone. You’re part of something beautiful and bigger.'”

Jerry Joseph

announces the release of: By The Time Your Rocket Gets To Mars

Voodoo Doughnut Recordings / Cosmo Sex School Records / April 15, 2016

Dave Schools produces full-length album partly written in Afghanistan, Paris and Ireland and recorded at TRI Studios, featuring Joseph’s full band

jj_mars_cd_coverFebruary 2, 2016 – “I told my 5 year old I was worried about his dream of being an astrophysicist and going to Mars. I thought it was a long trip away from me and a dangerous trip and didn’t think I wanted him to go. He replied, ‘Oh papa, you’ll be in heaven a long time before I get to Mars,’ a sobering thought for my 54-year-old self,“ Jerry Joseph recalls. “I was on my way to Afghanistan to bring musical equipment and teach kids to play guitar and do a couple shows and I was having a difficult time leaving my own children for a long and sketchy trip.” In 2014, Jerry Joseph headed to Afghanistan to volunteer as a teacher at an underground co-ed rock school. With thoughts of family on his mind and the backdrop of Kabul, Joseph began to write what would become many of the songs of By The Time Your Rocket Gets To Mars. “There’s a lot of downtime in Kabul hanging around in walled courtyards listening to the daily call to prayers and American Blackhawk helicopters so I started writing. My point was not to write ‘war’ songs. I wanted to write about magic and God and humans being human.” Joseph has been called the “the Anthony Bourdain of touring musicians” (Marquee Magazine). Like Bourdain, Joseph is drawn to far-flung, under-explored locales, and has spent the past several years touring in destinations like Lebanon, Iceland, Cambodia and Israel. Music and global politics came together for him early, the grandson of Lebanese, Syrian and Irish Catholic immigrants, surfing the beaches, playing in reggae bands and spinning singles by The Clash while growing up in La Jolla, California and Wellington, New Zealand. Since then, Joseph has stayed busy, touring 150 dates a year and releasing more than 30 records with a catalog of over 250 original songs and counting. For the first time since he was a teenager, Joseph plans to return to New Zealand and Australia as part of the release tour for By the Time Your Rocket Gets to Mars.

Recorded at TRI Studios, produced by Dave Schools (J Mascis and the Fog, Hard Working Americans, Stockholm Syndrome), mixed by Jim Scott (Tom Petty, Wilco) and featuring Joseph’s full band, Steve Drizos on drums, Steven James Wright on bass and Jeff Crosby on guitar, as well as special guests Mookie Siegel on keyboard, Scott Law and Steve Kimock on guitar, Jason Crosby on piano and Michael Lewis (Blue Skies For Black Hearts) on vocals, By The Time Your Rocket Gets To Mars is the second of three full length records resulting from these sessions. The first, Istanbul/Fog of War, released in October 2015 is two songs, 31 minutes of music, recorded in one take. The third in the series is tentatively scheduled to be released in Fall of 2016.

Portland’s Voodoo Doughnut Recordings in collaboration with Joseph’s own Cosmo Sex School Records will release By The Time Your Rocket Gets To Mars on April 15, 2016. The recent Oregon Music Hall of Fame Inductee is excited to work with this local label for the first time on this release.


Joseph is a prolific and accomplished songwriter, writing hits for Widespread Panic and releasing 30 albums in his 30+ year career; as a solo artist, with the Jackmormons, supergroup Stockholm Syndrome, his burning two-piece The Denmark Veseys, or originally, with his beloved 80s cult band, Little Women.

Joseph is also a relentless live performer, playing over 150 shows a year across the globe. He has toured with Vic Chesnutt, Chris Whitley and Walter Salas-Humara, among others. His recent musical travels include a stint volunteering as a rock school music teacher in Kabul, Afghanistan; touring Costa Rica’s Pacific Coast with the Jackmormons; and solo tours in Ireland, England and France as well as performances in Nicaragua, Thailand, Cambodia, Vietnam, Malaysia, Nepal, Lebanon, Germany, Czech Republic, Switzerland, Norway, Netherlands, Spain, Italy, Sweden, Denmark, Brussels, Czech Republic, Iceland, Mexico, and Israel. Over the years, Joseph and his Jackmormons have shown a penchant for picking a spot on a map, taking over a town, and putting on a festival. Last year, Jerry Joseph and the Jackmormons released a live concert DVD, Nicaragua, recorded over three nights just outside of Rivas, Nicaragua.

Joseph was inducted into the Oregon Music Hall of Fame in October 2015. He will be touring in Mexico, Australia and New Zealand this Winter and Spring in addition to the States.


Founded in 2013, Voodoo Doughnut Recordings is the record-label offshoot of Portland, Oregon-based cake and yeast purveyor Voodoo Doughnut. With releases ranging from novelty 45s to resurrected live recordings by Pacific NW legends such as Dead Moon and The Dandy Warhols, the young label has already amassed a catalog nearly as diverse, as unorthodox and as delicious as its parent company’s pastry offerings.

Casey Neill & The Norway Rats
Casey Neill & The Norway Rats
Record release show for Casey Neill & the Norway Rats new CD/LP ‘Subterrene’.

“Poly Styrene’s prophetic riffing on the alienation of modern synthetic culture is among my favorite lyric writing ever,” says songwriter Casey Neill, who named his latest album Subterrene (March 23 / Incident Recordings) as a nod to cult punk icons, X-Ray Spex (the lyric is from their great tune “Let’s Submerge”).

That familiar, ecstatic collision of hope and despair, romance and chaos, past and future, is at the core of Subterrene - the first album in five years from Casey Neill and the Norway Rats. The music was produced and engineered by their long time guitarist Chet Lyster (of Eels) who co-wrote the songs with Neill. The result is a collection of punk rock grit, storytelling and alt-rock abandon described by Neill as a work of “dystopian romance". From its very first moments, it's clear the band is tapping into new creative wells, where electronic elements weave in and out underneath razor sharp guitars.

While not a traditional concept album, Subterrene follows a distinct story arc, and the ominous-yet-defiantly-optimistic portraits it paints were inspired in equal parts by vintage sci-fi novels, our current political climate, and the globetrotting manner in which Neill’s lived while touring throughout the US, Europe, and Japan. Subterrene features guest contributions from Georgia songwriter Thayer Serrano, guitarist Dave Depper of Death Cab for Cutie, as well as R.E.M.'s Peter Buck and Scott McCaughey (who Neill frequently performs with as a member of The Minus 5).

Over the past five years, Neill’s had quite a bit of time to reflect on where it’s all taken him, so it should come as little surprise that many of the songs on Subterrene contemplate just what it means to truly find yourself. While the album offers no easy answers, it does manage find some of the magic in the madness. On tracks like “In the Swim” and “Deathless,” Neill reconciles the pain of loss with beauty of life, while on the hypnotic “Savages,” he’s able to look back fondly on the struggles of self-discovery from a safe distance, and “Everyone Wants to be Found” draws inspiration from the work of late journalist Matt Power, a friend who managed to capture the essence of characters from around the globe with his writing.

“When you make a living as a musician or a journalist or doing anything that involves a lot of traveling,” says Neill, “you get to know people all over the world and find out you’re linked to them in ways never even imagined. That song really draws on that feeling of being connected to people. It’s about finding your place in the world, even if it turns out that that place is everywhere.”

The previous Casey Neill & The Norway Rats CD/LP All You Pretty Vandals was produced by Chris Funk of the Decemberists and garnered rave reviews from national press, online blogs, and widespread radio play. Since it’s release they have performed on NPR’s Mountain Stage, Newport Folk Festival, and 100s of other shows.


“…teeming with rich lyrics that paint the glory and gutter of a wanderer’s struggle. Neill’s bellows pack the punch of white-capped seas, soaking the band’s big sky, prairie wind sound with a haunting graveness. It just may be Portland’s strongest brand of unfettered, contemporary roots rock." - Mark Stock, WILLAMETTE WEEK

"These are songs with stories well told. This is what it's all about" - STEVE EARLE

“a masterful songwriter” - PUNK PLANET

"Soul-searing songs "- UTNE READER

"An adroit lesson in ways to tear it up" - BLURT

“Be it through raucous rockers, fragile acoustic ballads, ragged country, passionate bursts of punk fury or soulful touches of Irish folk, Neill's narrative talent and concern for real people's struggles stand out. (Neill) evokes an epic feel that fits perfectly with the implicit grandiosity of this emotional material, delivered with a raspy, affectionate voice that recalls Life's Rich Pageant-era Michael Stipe. The results are so evocative, you'll be tempted to steep further in these memories, the better to share Casey Neill's particular blend of personal and historical experience.” --- SPLENDID