Dawes, Dr. Dog

Monqui Presents

Dawes

Dr. Dog

Sun, April 28

Doors: 8:00 pm / Show: 9:00 pm

Crystal Ballroom

Portland, OR

$22 - $24

This event is all ages

Dawes
Dawes
"The best rock 'n' roll is never preconceived," says Dawes' Taylor Goldsmith. "It's almost a country mentality: 'This is what we do. We write songs.' That's how it is for Dawes."

A self-described "American rock 'n' roll band," Dawes represent everything pure and true about that fundamental delineation, four talented friends making music together, fueled by a shared belief in the power of their songs. With Nothing Is Wrong, the Los Angeles-based band – singer/guitarist Goldsmith, his brother Griffin on drums, keyboardist Tay Strathairn, and bassist Wylie Gelber – continue to master their blend of singer/songwriter reflection with folk, country, and AOR-inspired arrangements, all ringing guitars, soaring harmonies, and heartfelt melodies. After spending much of the past two years on tour, songs like "Coming Back To A Man" and "Time Spent In Los Angeles" have a restless, unsettled quality evocative of life lived on the road. A collection of songs that expertly builds upon the template laid by 2009's extraordinary debut, North Hills, Nothing Is Wrong sees Dawes displaying staggering growth and evolution while still manifesting their distinctive, unforgettable voice.

"We didn't change up our approach too much and yet we were able to create something that I feel has a new identity from our first record," Goldsmith says. "It's definitely taking a step in a direction and at the same time, it's maintaining what it needs to maintain."

In 2009, Dawes emerged from the ashes of California combo Simon Dawes with North Hills, which drew instant acclaim for its rootsy revitalization of classic El Lay rock. And like any American rock 'n' roll band worth its salt, Dawes followed up by touring nearly non-stop. As a result, Goldsmith was only able to write during rare free moments, in the course of brief visits home or while crashing at a friend's for a few days. No surprise then that songs like "My Way Back Home" and "How Far We've Come" (featuring Griffin on lead vocals) are redolent of van fumes and road dust, rich with weariness and longing and restive reflection.

Nothing Is Wrong captures both Dawes' studio and stage approaches, matching the loose extemporaneity and crunchy dynamism of the band's live sets with finely honed arrangements and deft musicianship. The album evinces the band's self-assured strength right from the start by bursting off the blocks with the impossibly infectious "Time Spent In Los Angeles." Throughout the record, Goldsmith's lyrics evoke a powerful feeling of constant movement and endless fleeting moments. Songs like "The Way You Laugh" or the choogling "If I Wanted Someone" are wistful and melancholic, while the ruminative, piano-driven closing track "Little Bit Of Everything" (featuring lap steel guitarist Ben Peeler) is peopled with indelible characters encountered on his travels.
Dr. Dog
Dr. Dog
"There was this feeling inside me going into making this record that we'd never made an album before," says guitarist/vocalist Scott McMicken of Dr. Dog's Shame, Shame, their Anti- debut and the first album made outside the safe confines of their home studio.
As a band that has traditionally built their scrappily spirited albums layer by layer in the undisturbed seclusion of their Philadelphia studio, Dr. Dog realized they would need to leave these comforts and work in a professional studio with the help of an outside engineer and producer if they were to continue their album-by-album growth. In Rob Schnapf (Beck, Elliott Smith) they found a producer who had earned his reputation making albums in much the same fashion as Dr. Dog had, eventually moving on to the bigger and better sounds that they now wanted. With his help, the intricate arrangements of Fate were peeled back to reveal the raw immediacy of a tight five-man unit honing their craft.
Despite their loyal hometown following, Dr. Dog could have very well remained a Philadelphia phenomenon had McMicken's then-girlfriend not slipped a copy of Toothbrush, a collection of home recordings, to Jim James of My Morning Jacket, who would take them on their first tour and prepare the way for the waves of positive press that would greet 2005's Easy Beat. By 2007, their next album We All Belong was earning the band opening slots for Wilco and the Raconteurs and they were turning up all over late night television. They upped the ante with their sonically ambitious Fate and started headlining their own tours. By the spring of 2009, the treadmill had run them ragged, and their new songs reflected a life spent with the nagging realization that things were out of a balance.
Dr. Dog has created a song cycle of doubt and despair, bookended with the woozily swirling harmonies of Leaman's lonely opener "Stranger" and the harsh self-critique of the title track, a gnarled admission that sometimes it's best to admit your mistakes and move on. Their most openly autobiographical release, ranging from McMicken's exploration of West Philly underlife in "Shadow People" to his account of two soul-bearing late night conversations in "Jackie Wants a Black Eye," it's an album whose dark themes are soothed by bright harmonies, taut guitar riffs, and soaring melodies.