The Faint

Monqui Presents

The Faint

Choir Boy

Sun, May 19

Doors: 7:00 pm / Show: 8:00 pm

Sessions Music Hall

Eugene, OR

$20.00

This event is all ages

The Faint
The Faint
At its genesis, social-media platforms posited themselves as new, innovative ways to connect with friends and family. You could share and promote your work, trade insights on the latest pop-culture phenomenon, coo over a friend’s new pet or baby—the possibilities seemed as boundless as the Internet itself had in the early ‘90s.

But as one platform begot another, and then another, the proverbial milk started to curdle. Especially in the last decade, as algorithms evolve, Facebook and Twitter have morphed into warped personalized mirrors, where users can gaze at and react to left- or right-leaning news sources, specific-to-them advertisements, and—perhaps most relevant—fiery political opinions. Facebook in particular has become a breeding ground for hate speech and bullying, among other issues.

This is precisely what troubles Omaha electro-punk pioneers The Faint on their forthcoming seventh studio album, Egowerk, arriving on March 15th, 2019 via Saddle Creek. “Social media is turning well-meaning people into self-important cruel monsters,” asserts lead singer Todd Fink. “Egowerk’s focus is on the current social state of the Internet: an amazing world of free knowledge, communication, and opportunity is proving to be a toxic battleground. One where the people most sure of their opinion are quick to take a stand and destroy anyone who doesn’t agree with them.”

His sense of urgency unfurls over the album’s frenetic, cacophonous tracks. Opener “Child Asleep” echoes well-loved Faint singles from the Danse Macabre days, with rapidfire techno beats that sear so hot, your forehead will break into a sweat regardless of proximity to a dance floor. And though the synths should sound familiar to any Faint follower, the song’s monotone message is at once classic and current: “If I was wise, I would see I’m a child still asleep.”

Elaborating further, Todd says, “It would be amazing if I could wake up from the world that I think I'm awake in already. If there’s a better way of understanding life, I'd love to be privy to it. You see the wisdom of all Gurus in the East, and you know they're not bothered by this or that. They've attained something, and the rest of us are just kind of banging into stuff, trying to figure out what to do with our lives.”

But in terms of music creation, the band, which also includes drummer and backup vocalist Clark Baechle, keyboardist Graham Ulicny, and guitarist and bassist Michael “Dapose” Dappen, is very much wide awake. It’s been four years since the Saddle Creek flagship act dropped a proper studio album, and more than two decades since they first tore onto the Midwest scene, alongside area staples Cursive and Bright Eyes, with anxious electro-pop-punk anthems that meshed doomsday themes with thudding dance-floor hooks.

As their work progressed in the ‘00s, The Faint became famous for their all-consuming live shows, where fans could channel all of their energy into jumping, leaping, and shouting in passionate tandem with the band.

The guys, in turn, feed off of that energy.
Choir Boy
Choir Boy
Dream pop / synth pop band from Salt Lake City, UT

Choir Boy consists of Adam Klopp (vocal, synths, guitar, piano, percussion and sequencing), Katrina Marie Rick Peterson (vocals), Bret Meisenbach (guitar), Jacob Hall (drums), Kyle Hooper (keys) and Chaz Costello (bass), with strings by Alyssa Pyper.