Old Sea Brigade

Monqui Presents

Old Sea Brigade

Fri, April 19

Doors: 9:00 pm / Show: 9:30 pm

Bunk Bar

Portland, OR

$10.00 - $12.00

This event is 21 and over

Old Sea Brigade
Old Sea Brigade
It really feels like coloring outside of the lines. For as much as the music of Old Sea Brigade remains rooted in Americana, indie, country, rock, and ambient soundscapes, it blurs and breaks barriers, tossing and turning between analog cinematic flourishes and provocative lyricism based on hard-won wisdom. Amidst this mélange of textures, Atlanta-born and Nashville-based singer, songwriter, and multi-instrumentalist Ben Cramer allows the emotion to resound loudest on his full-length debut, Ode To A Friend [Nettwerk].

“I tried to put myself into my own bubble,” he explains. “I chose to do something that felt like me. It’s the best representation of my songwriting and what I grew up loving about music. I hope you can pull your own meaning from it.”

He’s been encouraging audiences to do just that since first emerging in 2015. After the breakup of his last band, he wound up back in Atlanta at his parents’ house with “no idea what to do.” So, he figured it out.

The artist combed through his personal sonic archives, found inspiration, and started feverishly writing. Soon after, he teamed up with producer Jeremy Griffith to record Old Sea Brigade’s self-titled debut EP. The single “Love Brought Weight” caught fire, generating over 16 million Spotify streams. In the meantime, he inked a deal with NETTWERK after founder Terry McBride personally reached out on Facebook.

Between touring alongside Joseph, Luke Sital Singh, Lewis Watson, Julien Baker, John Paul White, and more, he released 2017’s Cover My Own EP. The lead single “Tidal Wave” quickly crossed the two-million-mark on Spotify as acclaim came from Clash, Indie Obsessive, Immersive Atlanta, and many others. During 2017, he retreated to Griffith’s Destin, FL studio in order to record what would become Ode To A Friend. In the studio, the sonic palette expanded to incorporate analog synths and a “squeaky, old, and out-of-tune piano that you’d never find in a music store—but gave the sound character.”

“This go-around, I brought in a lot of production ideas, since I’d been working with many artists in Nashville,” he explains. “I worked closely with Jeremy to bring the production to life. We went outside of the box and tried different things. That noisey piano became a big theme of the record.”

On the lead single “Hope,” creaky ambience underscores the finger-picked acoustic guitar as he croons ponderous lines a la the opening admission, “I want to feel hope when I die, so I know what I left behind.”

He recalls, “I wrote that in Laurel Canyon at a friend’s house. That was my first experience writing in L.A. like that. It wrote itself pretty quickly. It takes a while for me to figure out what a song is about. It was being really honest though. That’s how I’d describe it.”