Laura Stevenson

Ornate musings rooted in folk-rock from NY based singer-songwriter

Laura Stevenson

Faustina Masigat, Completions

Sun, May 12

Doors: 8:00 pm / Show: 9:00 pm

Doug Fir Lounge

Portland, OR

$15.00 - $18.00

This event is 21 and over

Laura Stevenson
Laura Stevenson
If gravity is strong enough, at the end of time our universe will collapse, pulling all of existence back down to infinitesimal size, like before the Big Bang. But if expansion outpaces gravity, eventually the universe will be cold and empty--all light, heat, and connection will be gone. That possibility is called The Big Freeze.

Recorded in her childhood home during the dead of winter, The Big Freeze represents a pivotal step for New York songwriter Laura Stevenson. Despite her pedigree in the punk and indie rock scenes, and the occasional inclusion of a backing band (like on the sprightly, C86-inspired pop track “Dermatillomania”), for the first time on record Stevenson’s voice and guitar are in clear and highlighted focus. It is a natural aesthetic choice for the musician, who has often toured as a solo act and who pulls influence from the great American songbook, and a choice that plays to the core strength and organic beauty of her writing. And though it is easily the darkest and most emotionally-devastating album of Stevenson’s career, it is also without a doubt her most powerful.

Stevenson builds on her own private worlds with choruses of multi-tracked voices, swarms of cellos, French horns and violins; orchestration that blooms and swells throughout each intimate performance. Exploring thematic ideas of distance and misconnection; worlds pulling apart, aching loneliness, and attempts to drive out hibernating dormant demons.

In the opening track Stevenson’s voice insists the listener “lay back with arms out, all-in, unfeeling,” to allow themselves to sink into a flood of instrumental sound that thrums between dissonance and resolution. From waves crashing in an abandoned waterpark on the haunting “Value Inn”, to the last leaves trembling before winter sets in on “Rattle At Will”, a creeping sense of isolation and anxious beauty surrounds every song. And yet there is also warmth, and hope. The album’s third track “Living Room, NY” tells of an intercontinental love and longing which seems to have the strength to thrive despite even the most trying and impossible of circumstances. Across ten tracks, the listener will travel through the cold night, following after a small but powerful flame burning from the other side.

Stevenson is a songwriter whose strengths have gone unsung for far too long, but The Big Freeze is likely to change that. At times you will be reminded of classic American songwriters from both the mainstream and the fringe, whether it’s Jason Molina, Judee Sill, Harry Nilsson or Dolly Parton. But always you will be reminded of the power of the human voice (and a single guitar) to invoke the universe. Or in this case, it’s end.
Faustina Masigat
Faustina Masigat
Frustrated by academia and emotionally raw from a breakup, Faustina Masigat stepped away from her peers in her mid-twenties. She had come to realize that her personal and artistic maturation had been stifled by her relationships and her overly angular traditional musical schooling. She knew she needed to spend more time alone, committed to a process of unlearning, before she could move forward. As she peeled back the rigid layers of her youth, she began to write the songs that, a few years later, would make up her debut record. Seeking honesty over perfection, her approach to composition became much more intuitive; seated in the natural expression of not only her emotional life, but also that of a spiritual life, an expression of her own femininity, and a means of self improvement through self reflection. She became obsessed with the old, forgotten, second-hand guitars she would find in the “As Is” section of local music shops, believing that magic and songs still lived in the beat-up wood. One album track, “Willie Nelson”, manifested, fully formed, from one of these guitars - an ancient, labeless individual that she called “Red”.

The songwriting on her self-titled debut is all at once heartbreaking, intelligent, meditative and elegant - centered around a voice that is difficult to attach genre to. There is a quiet intensity running through the world that Faustina creates: sweet and heavy, a touch of angst, brutally honest, smoldering. The album is understated, arranged as to allow Faustina’s effortless rapport with pedal steel player Tucker Jackson (The Minus 5, The Delines) to shine clearest. It’s a spacious and lush debut, with all of her vulnerabilities laid bare in songs hemmed together with fragile intimacy.

Faustina Masigat is out now on Mama Bird Recording Co. It was recorded by Rian Lewis, mixed by Ben Nugent and mastered by Timothy Stollenwerk, all in Portland, Oregon.
Completions
Completions
The project name Completions is an ode to its purpose; a reminder to its founding member, Shawn Alpay, that within creative pursuits, it’s more important to finish an imperfect creation than to let it die on the vine.

A cello, plucked and strummed like a guitar, is the driving rhythmic force behind Completions, with Shawn singing evocative vignettes over it. His accompanying instruments have ranged from none at all to large orchestral projects, but Shawn is now finding his place somewhere in the middle; preserving the intimacy of a solo act with tasteful arrangements that serve to enhance each song.

Shawn explored the death of his mother through haunting and honest reflections in a 2015 self-titled EP. Now, with the project’s new material, slated to be released in 2019, he’s turned that same vivid, unwavering attention to himself, fusing memorable melodies with personal scenes or moments that have formed him.

An engineer and producer in his own right, Shawn honed his craft at John Vanderslice’s recording studio Tiny Telephone in San Francisco. He’s no stranger to time on the road, either, having toured across the US and Europe, and working as a touring cellist in Matt Pond PA, Father John Misty, and How To Dress Well.

Completions, now based in Portland, Oregon, will be playing across the US this Spring, 2019.