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Hot Buttered Rum

Five-piece progressive left coast bluegrass act

Hot Buttered Rum

Toubab Krewe, Austin Quattlebaum

Fri, April 19

Doors: 8:00 pm / Show: 9:00 pm

Doug Fir Lounge

Portland, OR

$13.00 - $15.00

This event is 21 and over

Hot Buttered Rum
Hot Buttered Rum
The Official Bluegrass Band of the 2014 World Champion San Francisco Giants

“Stunning instrumental and vocal virtuosity.” - Relix Magazine

“It’s that working man regimen that ensures their consistency from one offering to another. That’s the kind of quality that makes Hot Buttered Rum always seem to go down so smoothly.”–Bluegrass Today

Hot Buttered Rum, a souped-up, left-coast string band, is the brainchild of five uniquely gifted musicians who weave their love of bluegrass, folk, jazz and soul into a riveting strain of Americana. String bass and five-alarm fiddle merge with guitar, banjo, mandolin and drums to frame the voices of its two contrasting writers, fueling a dance party with roots in Appalachia and its branches in California. It’s a sound that’s as tough to describe as it is easy to love. Nearly twenty years into its journey, HBR's music, dreamed up in the backcountry of the High Sierra and the basements of San Francisco, has found its way into the hearts, minds and bodies of fans nationwide.The band continues to tour year-round in support of its many albums and social causes. Don't miss the chance to see them soon!
Toubab Krewe
Toubab Krewe
Some music cannot be found on a map or within iTunes categories. Some music is so original it seems snatched from the great, invisible substrata that runs below all human activity, a sound aching to be born without a flag or fixed allegiance – free, questing, overflowing with immediate, tangible life. This is the music of Toubab Krewe, the vibrant Asheville, NC-based instrumental powerhouse that creates a sonic Pangaea that lustily swirls together rock, African traditions, jam sensibilities, international folk strains and more. While nearly impossible to put into any box, it takes only a few moments to realize in a very palpable way that one is face-to-face with a true original who recognizes no borders in a march towards a muscular, original, globally switched-on sound.

Formed in 2005, Toubab Krewe has tenaciously honed their craft through relentless touring and a fierce dedication to carving out something they can truly call their own. The fruits of this hard work can be heard on their latest release, STYLO, (March 2nd, 2018). What Justin Perkins (kora, kamelngoni, guitar, percussion), Terrence Houston (drumset), Drew Heller (guitar, organ), Justin Kimmel (bass, keys), and Luke Quaranta (djembe, dunun, sangban, kenkeni, kryn, karenye) have wrought on STYLO reflects the many miles and musical journeys that have transpired since their last studio album, TK2.

This is a band that actively draws inspiration from whatever source floats into their purview, something they've exhibited in their decade and a half of heavy gigging, including regular appearances at major U.S. festivals like Bonnaroo, High Sierra, Electric Forest, Wakarusa, Hulaween, and abroad at such legendary gatherings as the Festival In The Desert in Essakane, Mali, Shanghai World Music Festival, and Jam Cruise. Whether on their own or collaborating with luminaries like the Last Poets' Umar Bin Hassan, Uncle Earl's Rayna Gellert, or Weedie Braimah, Toubab Krewe has already earned the attention and respect of a broad musical community.

Toubab carries echoes of African greats like Ali Farka Toure, Orchestra Baobab and Salif Keita, no doubt picked up during the group's travels to study and live in Guinea, Ivory Coast and Mali. But what truly differentiates Toubab Krewe from other Statesiders inspired by African music is how they innovate on what they've learned instead of simply recreating tradition. Toubab Krewe carves out a new trail honoring the African originators they admire by making something alive and contemporary.
Austin Quattlebaum
Austin Quattlebaum
Born and raised in Savannah, GA, Austin Quattlebaum's sound is tinged with southern low country marsh land blues. It wasn't until attending college in the hills and mountains of the southern Appalachians that traditional bluegrass and old time music began to push its way into his work.

Offering rowdy singer/songwriter type solo shows, he is sure to leave the crowd stomping for more. With a blend of gritty originals and tasteful covers, he weaves both 3 finger bluegrass banjo, clawhammer old time banjo and flat-picking guitar songs into his sets. Often switching between mandolin and dobro as well. Sung with a bit of gravel in his throat, his sultry tunes are sure to keep the crowd aroused.