Israel Nash

KINK.FM PRESENTS: Lush and sparkling Hill Country rock from Texas

Israel Nash

Kyle Emerson

Sun, October 14

Doors: 7:00 pm / Show: 8:00 pm

Doug Fir Lounge

Portland, OR

$12.00 - $15.00

This event is 21 and over

Israel Nash
Israel Nash
Texas’ genre-bending rock ‘n’ roller Israel Nash presents his latest long play, Lifted.It is a modern day hippie-spiritual, a tonic for those needing to put aside the mess of the daily grind. With luscious beds of strings, horns and well adorned towering walls of sound, Lifted finds Nash continuing his tradition of creating a sonic experience of feeling that is at once both vast and intimate -soaring and untamed at times, placid and sincerely personal at others.

Originally from the Ozarks of Missouri, Israel Nash has made his home in Dripping Springs, Texas for the greater part of a decade. There, on his ranch with sweeping views of the Texas Hill Country, the tall, hirsute mountain man built his own studio; a Quonset hut structure he’s dubbed Plum Creek Sound. The studio became a sanctuary, a creative outlet where Nash reached a meditativestate of escapism, which ultimately became the inspiration behind Lifted. The creative process of writing, recording and producing Liftedallowed Nash to leave his own downhearted feelings about the political landscape of the recent elections and the deeper queries of purpose and life thatsupersede the material world. Nash wrote and recorded Lifted withthe intention of achieving a sonic experience that will elevate the listener-that the feeling of peace, love and happiness which saturates the words and music can provide the same escape he achieved while creating the LP.

Being able to finally use Plum Creek Sound to its utmost, Nash incorporated found sounds and field recordings from his Texasranch to create a setting of the sounds that represent hisHill Country life. Drums played in rain collection tanks, water rushing against the limestone, frogs and crickets in their habitats, and even a curious, yet guarded rattlesnake, all appear throughout the record. Inspired by methods pioneered by John Cage,Nash also randomized sounds and music and rearranged them according to the I Ching (The Book of Changes). Utilizing these recording and tracking techniques help create a sonic and very present picture of Nash’s home and his life. Accompanied by his longtime band, with arrangements by Jesse Chandler (Mercury Rev, Midlake), horns by members of Austin’s cumbia/funk compadre’s Grupo Fantasma, and strings from Kelsey Wilson and Sadie Wolf of indie pop’s Wild Child, Nash, alongside co-producer and engineer Ted Young (Kurt Vile, The Rolling Stones), presents an album that soars as a masterwork of American roots songs, meticulously crafted and gently sprinkled with life meaning and multi-hued rock and psychedelia.

Israel Nash -LiftedTexas’ genre-bending rock ‘n’ roller Israel Nash presents his latest long play, Lifted.It is a modern day hippie-spiritual, a tonic for those needing to put aside the mess of the daily grind. With luscious beds of strings, horns and well adorned towering walls of sound, Lifted finds Nash continuing his tradition of creating a sonic experience of feeling that is at once both vast and intimate -soaring and untamed at times, placid and sincerely personal at others. Originally from the Ozarks of Missouri, Israel Nash has made his home in Dripping Springs, Texas for the greater part of a decade. There, on his ranch with sweeping views of the Texas Hill Country, the tall, hirsute mountain man built his own studio; a Quonset hut structure he’s dubbed Plum Creek Sound. The studio became a sanctuary, a creative outlet where Nash reached a meditativestate of escapism, which ultimately became the inspiration behind Lifted. The creative process of writing, recording and producing Liftedallowed Nash to leave his own downhearted feelings about the political landscape of the recent elections and the deeper queries of purpose and life thatsupersede the material world. Nash wrote and recorded Lifted withthe intention of achieving a sonic experience that will elevate the listener-that the feeling of peace, love and happiness which saturates the words and music can provide the same escape he achieved while creating the LP. Being able to finally use Plum Creek Sound to its utmost, Nash incorporated found sounds and field recordings from his Texasranch to create a setting of the sounds that represent hisHill Country life. Drums played in rain collection tanks, water rushing against the limestone, frogs and crickets in their habitats, and even a curious, yet guarded rattlesnake, all appear throughout the record. Inspired by methods pioneered by John Cage,Nash also randomized sounds and music and rearranged them according to the I Ching (The Book of Changes). Utilizing these recording and tracking techniques help create a sonic and very present picture of Nash’s home and his life. Accompanied by his longtime band, with arrangements by Jesse Chandler (Mercury Rev, Midlake), horns by members of Austin’s cumbia/funk compadre’s Grupo Fantasma, and strings from Kelsey Wilson and Sadie Wolf of indie pop’s Wild Child, Nash, alongside co-producer and engineer Ted Young (Kurt Vile, The Rolling Stones), presents an album that soars as a masterwork of American roots songs, meticulously crafted and gently sprinkled with life meaning and multi-hued rock and psychedelia. “It’s all about finding, searching forlittle sparks of inspiration. It may be a sound, a groove, a color, or even an object. Old things are inspiring. Whatever it is, when you find it, it spreads like
a conflagration that is out of your control. It doesn’t matter if you’re making a record or living your life, find these inspirations with a vigil eye and watch them change both you and your world.”

Liftedopens with an extended instrumental introduction, preparing the listener to get comfortable and settle in for the journey ahead, before blossoming into“Rolling On.” It’s a manifesto, a hearty breath of rock goodness, clean air for all that follows. A sing-along anthem of urgency, encouraging one to let go of yesterday and spring from the traps of worry in order to move onward and upward -rolling on, right here and right now.

“It was a simple message to myself, to not get stuck in thinking and the past. It’s too easy for us to worry about pretty much everything. I had been down and low for a bit and really had to sing and write those feelings away, give them to the moment and find a better self in the end.”

What follows is an Americana-bred opus without equal. From the familial harmonies of “Sweet Springs,” recalling the Beach Boys at their most joyous (almost all performed by Nash himself), to the country rock riffage of “Lucky Ones” and “SpiritFalls” conjuring up that much needed healing, to the album ending “Golden Fleeces,” a sunshine laden song offering up sweet relief from those troubles and tying the preceding up with a sense of lightness and much needed joy.

By immersing oneself in Lifted,one can see Nash succeeds in a way that’s exquisite yet spiritually satisfying. Nash welcomes you to join him on his uplifting path -one he’s taken throughout his career, now continuing onahigher, imaginative plane. May your ears be blessed and may your soul be lifted.
Kyle Emerson
Kyle Emerson
Folk rock guitarist and singer-songwriter Kyle Emerson broke out with his debut EP, 'Worth It', in May of 2017. With that first release, Emerson has quickly become one of Denver's most promising talents. Mixing swift finger-picking, breathy vocals, and tell-all-lyrics, Emerson tight ropes a blend of the harmonious folk rock of the 60's with a twist of modern sonics.

On his debut full-length, 'Dorothy Alice' (via Guilty Pleasure Records), Emerson showcases a poise and maturity for the craft of songwriting far beyond his years.

Having opened for artists over the years such as Charles Bradley, The Districts, Jeff the Brotherhood, La Luz, Twin Peaks, Israel Nash, Anderson East, Wild Child and more, Emerson continues to solidify his presence as an artist on the rise.


"... a scoop of Ryley Walker, a sprinkle of Elliott Smith - that’s different and gripping enough to peg Emerson as Denver’s next artist to watch." - Denver Post

"The album is a blend of rich psychedelic folk that couples the trippy, dripping harmonies of early Beach Boys (See: “Dorothy Alice”) with the pop sensibilities of The Beatles’ more far-out tracks (See “Post Egomania”)...he is able to tackle some far-reaching soundscapes and open a bevy of psychedelic doors, while also keeping the album light, approachable and captivating" - Marquee Magazine