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Chad VanGaalen

Canadian singer songwriter with multiple musical identities

Chad VanGaalen

NE-HI

Sun, November 12

Doors: 8:00 pm / Show: 9:00 pm

Doug Fir Lounge

Portland, OR

$14.00 - $16.00

This event is 21 and over

Chad VanGaalen
Chad VanGaalen
Nobody cared about their old heads, because the new ones work just fine now, don't they?.... they have the
same size mouth and eyes. The song “Old Heads” is a sci-fi space anthem to technology that constantly replaces itself, proving both necessary and unnecessary at the same time. It’s also a jangly pop gem, a trip through the fantastical that is ultimately warm and relatable. This remarkable coexistence is one of many achievements of Chad VanGaalen’s Light Information, his sixth record on Sub Pop, due September 8th. For an album that’s about “not feeling comfortable with really anything,” as Van Gaalen says, Light Information is nonetheless a vivid, welcoming journey through future worlds and relentless memories. The rich soundscapes and sometimes jarring imagery (“I’ll be the host body, yes, for the parasitic demons. They can eat me from the inside out, I already hear them chewing.”) could only come from the mind of a creative polymath--an accomplished visual artist, animator, director, and producer, VanGaalen has scored television shows, designed puppet characters for Adult Swim, directed videos for Shabazz Palaces, Strand of Oaks, METZ, Dan Deacon, and The Head and the Heart, and produced records for Women, Alvvays, and others.

While alienation has always been a theme of VanGaalen’s music, Light Information draws on a new kind of wisdom--and anxiety--gained as he watches his kids growing up. “Being a parent has given me a sort of alternate perspective, worrying about exposure to a new type of consciousness that's happening through the internet,” he says. “I didn’t have that growing up, and I’m maybe trying to preserve a little bit of that selfishly for my kids.”

As always, VanGaalen wrote, played, and produced all of the music on Light Information (save Ryan Bourne’s bass part on “Mystery Elementals” and vocals on “Static Shape” from his young daughters Ezzy and Pip), and designed the cover art. The product of six years’ work, going back even before 2014’s Shrink
Dust, Light Information emerged from the experimental instruments that fill the VanGaalen’s Calgary garage studio. Among them is a beloved Korg 770 monosynth, which VanGaalen coveted for years before fixing one up and devoting a lot of recent energy to recording “duets” with it. One of these, “Prep Piano and 770,” is the lone instrumental on Light Information, more atmosphere and chord bursts than the rest
of the album’s hooky rock narrative. “If I was going to go out and buy a record, I would probably want it to sound only like that,” says VanGaalen. “That one’s for me.” Throughout the dark-wave reverb of Light Information are stories of paranoia, disembodiment, and isolation--but there’s also playfulness, empathy, and intimacy. “I sit and do a drawing, a portrait of my
dad,” sings VanGaalen on “Broken Bell.” “I should really visit him before he is dead. Cuz we are getting old. Our cells just won’t divide like they told us. But I’m not really good at this kind of thing.” But VanGaalen is good at a lot of things--and he’s trying to pursue them for the right reasons. “I'm just trying to get over the weight of feeling like I have to be making something of my time constantly,” he says. “Especially with kids, you get these small breaks where you get to make stuff, and now I try to say ‘you know what, I'm going to make something for me.’”
And if he could make anything for himself, it would be without constraint. “I would love to build a living structure from scratch,” he says. “I've slowly been ripping my studio apart and building additions, but you're always kind of down to this box. I’d love to explore more open forms of architecture, with an endless supply of materials to use, even garbage. Building codes keep us in these boxes--You can't just build a giant hand made out of wood that's the size of a house to live in. But we really should be able to do that.”
NE-HI
NE-HI
Born out of the backyards and basements of Chicago's DIY music scene, NE-HI's nostalgic-rock brings you back to a time that may have never existed. It may be the past. It may be the future. But, it is certainly a place where you feel younger, better looking, and you dance until you are soaked in sweat. A place where you know the best bands before your older brother and all the cool kids at school. The quartet's guitar-driven songwriting and distinct harmonies produce a sound that is both raw and relaxed, rough and humble. Formed to score a friend's film in the summer of 2013, the foursome–made up of Alex Otake, James Weir, Jason Balla and Mikey Wells–recognized the electricity between its four members and chose to continue making music. Since then, the foursome has toured the Midwest and East Coast, building a reputation as a promising young American band.