• There are currently no videos. Check back soon.
Kikagaku Moyo

Pickathon and Doug Fir present

Kikagaku Moyo

Sugar Candy Mountain, Pax

Wed, May 17

Doors: 8:00 pm / Show: 9:00 pm

Doug Fir Lounge

Portland, OR

$12.00

This event is 21 and over

Kikagaku Moyo
Kikagaku Moyo
Kikagaku Moyo/幾何学模様 (Japanese for Geometric Patterns) is the musical union between five free spirits. Go Kurosawa (drums, Vocals) and Tomo Katsurada (Guitar, Vocals) formed the band in 2012 as a free artist’s collective. They met Kotsuguy (Bass) while he was recording noise from vending machines and Akira (Guitar) through their university. Ryu Kurosawa had been studying Sitar in India, upon returning home he found the perfect outlet for his practice.
They recorded their first EP in a day and posted it to Bandcamp. On the other side of the world, a small label from Greece was listening and offered to press a limited run of LPs. Interest picked up through the blogging community and the band found tight group of dedicated fans around the globe. Since 2013 the band has released two full lengths, an EP, and several singles. They have toured Australia, the United States, Europe and Japan extensively. Kikagaku Moyo love to connect with people through performing, whether they are playing in a barn deep in a Swedish forest, on a desolate Mediterranean beach, or beside a sleepy river at 2014’s Levitation Fest they bring out the magic in everyone present.
Their latest release “House in the Tall Grass” (Guruguru Brain) was recorded in the winter of 2015/16 in Tokyo. Their delicate use of melody and soft vocal harmonies contrast seamlessly with fuzzed out sitar riffs and feedback. To Kikagaku Moyo a song is like a breath of wind through the leaves or a fish jumping from the water. Their music is a conversation—sometimes delicate and tender other times explosive, but always human and always changing.
Sugar Candy Mountain
Sugar Candy Mountain
Mystic Hits — a space-age blast of psychedelic pop and Tropicalia that sounds like it could have reverberated right out of Phil Spector’s echo chamber.

If Brian Wilson had dropped acid on the beach in Brazil and decided to record an album with Os Mutantes and The Flaming Lips, it would sound like this— featuring space-age sounds and far-out frequencies from the tripped our tropics.